“A writer, a little bit lonely and a whole lot desperate, signed into social media,” begins Michael J. Seidlinger’s new book, Runaways: A Writer’s Dilemma.
Isn’t that how the day often begins? Reading people’s online conversations about books. Thinking about joining the conversation. Drafting the post. Posting the post. Receiving a notification of one engagement. Checking the stats. That’s how the book will be written, correct?
“A writer just needed to keep scrolling.”
A writer may, or may not, have this fraught relationship with social media. A writer may, or may not, occasionally drink one too many beers. Occasionally, a certain writer exists who has never opened a social media account nor a beer can. That is OK, because that writer, too, is also included and is grateful to be seen, if at an angle. That writer is also afflicted by nostalgia and best-laid plans and egg timers and fountain pens and friends to whom they owe phone calls.
The runaways are the itch and the scratching of the itch. The counting of the words. The tallying of the rejections. The reading of Runaways is a meta-runaway.
We read and write to feel seen and to get better at reading and writing. We do that, right? We read and write.
“Eventually, a writer abandoned the books and went back online.” — Michael J. Seidlinger
From Future Tense Books.